Will Todd

Will Todd taught himself the piano from an early age and grew up in County Durham, North East England where his grandfather was a coal miner and his parents were teachers. His love of improvising has been the central force in a wide ranging career of composing and playing. Will has worked with many of the UK’s leading music organisations including Welsh National Opera, Opera North, The Halle Orchestra, Opera Holland Park, The Sixteen, The BBC Singers and the BBC Concert Orchestra. He has also visited many countries performing and directing his music.

His love of choral music is reflected in a large output including masses, anthems and larger sacred concert works including Mass in Blue, which has been performed hundreds of times around the world since its 2003 premiere. His carol My Lord Has Come has become a worldwide favourite since it was included in Oxford University Press’s Carols for Choirs Five in 2012. Other widely performed choral pieces include Passion Music, Jazz MIssa Brevis and his arrangement of Amazing Grace. Will Todd also has an impressive list of theatre works including The Screams of Kitty Genovese, produced most recently by Tête à Tête Opera in London and Edinburgh, Alice’s Adventures in Wonderland for Opera Holland Park, Migrations for Welsh National Opera and Song of our Heartland, commissioned by Opera North.

Will Todd is president and patron of a number of UK choirs. He strongly believes in music making for all, and his personal motto when directing choirs is ‘find the passion’. Outside music his interests include supporting the environmental movement in any way he can, and he is attempting to drastically reduce and ultimately phase out his use of flying during the next few years.

His music is published by Oxford University Press, Boosey and Hawkes and Tyalgum Press and released on Signum Records.

For further information www.willtodd.co.uk

Corra Sound

Conductor Amy Bebbington

Corra Sound is an upper voice ensemble, passionate about its collective mission: to discover new repertoire which explores the reach and versatility of the female voice, and to celebrate the works of remarkably talented, and often little known, female composers on the concert platform and in workshops. Gaining a reputation for high quality performance across a wide range of repertoire, Corra Sound has appeared at the Elgar, Ethelflaeda, Lamberhurst and MADhurst Festivals, performed with The Royal Philharmonic Chamber Orchestra, and with Emma Johnson.

Corra Sound is delighted to bring a unique programme to the University of Reading’s Great Hall for this prestigious annual event. Ranging from a cappella to accompanied works, you can expect to hear a broad range of sacred and secular music, including exciting new works by recent competition winners.

Ēriks Ešenvalds

Ēriks is one of the most sought-after composers working today, with a busy commission schedule and performances of his music heard on every continent. After study at the Latvian Baptist Theological Seminary and the Latvian Academy of Music, he became a member of the State Choir Latvija. In 2011 he was awarded the two-year position of Fellow Commoner in Creative Arts at Trinity College, University of Cambridge. Since then Ēriks has won multiple awards for his work and undertakes many international residencies working on his music and lecturing.

Recent large-scale premieres include Lakes Awake at Dawn for the Boston Symphony Orchestra and City of Birmingham Symphony Orchestra, The Pleiades for the Grant Park Music Festival Chicago, A Shadow for the BBC Proms, Dreams Under Your Feet for the Gewandhaus Leipzig, Whispers on the Prairie Wind for the Utah Symphony and Utah Chamber Artists, St Luke Passion for the Latvian Radio Choir and Sinfonietta Riga, Visions of Arctic: Sea for the Liepāja Symphony Orchestra, and the major multimedia symphonies Nordic Light and Volcano Symphony, both premiered in Latvia with further performances around the world. His full-scale opera The Immured was premiered at the Latvian National Opera in 2016 to great acclaim.

His compositions appear on recordings from Trinity College Choir Cambridge and Polyphony with Britten Sinfonia on Hyperion, Portland State Chamber Choir and the Vasari Singers on Naxos, Latvian Radio Choir with Sinfonietta Riga on Ondine, Elīna Garanča with the Latvian Radio Choir on Deutsche Grammophon, ORA Singers on Harmonia Mundi, VOCES8 on Decca Classics, The Crossing on New Focus, Merton College Choir Oxford on Delphian, and Choir of the West at Pacific Lutheran University, the University College Dublin Choral Scholars, and the National Youth Choir of Scotland on Signum, amongst others.

Podium Music manages Ēriks Ešenvalds’ commissions and workshop schedule. Ēriks Ešenvalds is exclusively published by Musica Baltica, Riga, Latvia.